Irish origin, compound duple meter, usually quick.

Irish origin, compound duple meter, usually quick.

• A. Gigue
• B. Sarabande
• C. Courante
• D. Allemande

Answer: (A)

This is about identifying a dance by its origin, meter, and tempo. The description points to a lively folk-origin dance that uses compound meter—two main beats per measure with each beat subdivided into three, such as 6/8 or 12/8—and is performed at a brisk pace. That combination matches the gigue, which derives from the jig and is known for its quick, energetic character. In Baroque usage, the gigue often serves as a final, bustling movement and keeps a driving, dance-like momentum. Other options don’t fit as neatly: a sarabande is a slow, dignified dance in triple meter; a courante is a French dance in a faster triple feel but not tied to Irish origin; an allemande is German and typically moderate in tempo, usually not written in compound meter.

This is about identifying a dance by its origin, meter, and tempo. The description points to a lively folk-origin dance that uses compound meter—two main beats per measure with each beat subdivided into three, such as 6/8 or 12/8—and is performed at a brisk pace. That combination matches the gigue, which derives from the jig and is known for its quick, energetic character. In Baroque usage, the gigue often serves as a final, bustling movement and keeps a driving, dance-like momentum.

Other options don’t fit as neatly: a sarabande is a slow, dignified dance in triple meter; a courante is a French dance in a faster triple feel but not tied to Irish origin; an allemande is German and typically moderate in tempo, usually not written in compound meter.